ANMWE SEKOU!!! KLASS IT IS BABY YES IT IS BABY
PostPosted: Tue Apr 12, 2016 9:46 pm
If ever this saying was true... It is now...
Oh my goodness... Gade w Konpa Ritchie lagué..
Now... mind you... I've been waiting on some good Konpa to listen to for a while.
I was literally dying from a thirst for Konpa. And this album delivered!!!! Delivered big time
I can't decide which is my favorite song, from Lalan kache to se ou sel mwen genyen to let's make it work... To anmwe sekou the album is simply magnificent.
Konpa lovers, you have been served.
Without being a blind fanatik, I do understand the folks who say it's a bouyon rechauffé.
No doubt these are also fans of arly's love songs who can't seem to stay consistent.
Listen, what Ritchie did is what has been done in Konpa albums since the beginning of time.
He had songs on the first album that worked very well, and so on the second album he did not deviate too much from the style.
When I first heard map Marie, it was evident that this song is meant to remind the fan of "you don't want me".
However, I wouldn't say it's a bouyon rechauffé because the melodies and grooves are very different. It feels like you're listening to a different song... But you know that you're listening to KLASS.
and he used the same strategy with a few other songs on the album.
For instance the strong vocal intro of "let's Make it work" reminds me a lot of "Mizik saa". But the song as whole is not a bouyon rechauffé of the first. It has a very unique melody with very unique grooves.
I didn't think it was possible but this album as a whole is a lot more commercial... A lot more bal friendly... A lot more dansable.
KLASS gen bagay nan men l pou l fè bagay for sure.
It's probably too early for me to say what my favorite song is, but I keep going back to "Lajan sere". I Don't think it's the most musical song on the album, but it's the most poetic. And I'm a sucker for lyrics.
And who can resist listening to pipo and Dener on a track. Though I have to say, I don't know if it was intentional but he sounds a lot like Dener on the song. You can't tell where one starts and the other begins.
Oh my goodness... Gade w Konpa Ritchie lagué..
Now... mind you... I've been waiting on some good Konpa to listen to for a while.
I was literally dying from a thirst for Konpa. And this album delivered!!!! Delivered big time
I can't decide which is my favorite song, from Lalan kache to se ou sel mwen genyen to let's make it work... To anmwe sekou the album is simply magnificent.
Konpa lovers, you have been served.
Without being a blind fanatik, I do understand the folks who say it's a bouyon rechauffé.
No doubt these are also fans of arly's love songs who can't seem to stay consistent.
Listen, what Ritchie did is what has been done in Konpa albums since the beginning of time.
He had songs on the first album that worked very well, and so on the second album he did not deviate too much from the style.
When I first heard map Marie, it was evident that this song is meant to remind the fan of "you don't want me".
However, I wouldn't say it's a bouyon rechauffé because the melodies and grooves are very different. It feels like you're listening to a different song... But you know that you're listening to KLASS.
and he used the same strategy with a few other songs on the album.
For instance the strong vocal intro of "let's Make it work" reminds me a lot of "Mizik saa". But the song as whole is not a bouyon rechauffé of the first. It has a very unique melody with very unique grooves.
I didn't think it was possible but this album as a whole is a lot more commercial... A lot more bal friendly... A lot more dansable.
KLASS gen bagay nan men l pou l fè bagay for sure.
It's probably too early for me to say what my favorite song is, but I keep going back to "Lajan sere". I Don't think it's the most musical song on the album, but it's the most poetic. And I'm a sucker for lyrics.
And who can resist listening to pipo and Dener on a track. Though I have to say, I don't know if it was intentional but he sounds a lot like Dener on the song. You can't tell where one starts and the other begins.
